Moderne Francos

All About the Franco-American Experience

Category: Quebec

Cultural Costume Trends That You See At French-Canadian Winter Festivals

Every winter, several New France-inspired festivals in Canada bring in the crowds with their ice sculptures, parades, skating, and more. However, some activities won’t be taking place this coming year, but there’s a hidden aspect in plain sight that doesn’t get the recognition it deserves: les costumes!

If you’re thinking that most people attend these winter festivals wearing anything that will keep them warm, this is true on most counts. But there’s an intentional style about the textiles, textures, colors, and shapes of the winter clothing worn by performers, dancers, and attendees. 

As I’ve covered in my previous piece about suggested traditional and cultural dress for Franco-Americans to join in on the festival fun, this is the more winter-focused compliment to that post. If you’re looking for the history of the capote and ceinture fléchée, these pieces were better explained in the mentioned post.

In understanding the traditional clothing and costumes of cultures and why I firmly believe they’re essential to acknowledge, it’s the fascination with how different cultures express how they see themselves in a visually artistic form.

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Making a Statement with the Franco-American Flags of the U.S. and New England

With many distinct ethnic cultures in the United States, a flag is uniquely designed and chosen by organizations or clubs of a heritage and culture to represent themselves. This is also the case for Franco-Americans, where we have several flags that represent us.

In fact, there are more flags out there than you might think. For now, we’ll cover our two national flags and the more specific flags representing other groups within our Northeast American French culture.

So what’s the story behind all of these flags? Let’s dig deeper, starting with the definition of “Franco-American,” for anyone who may be unfamiliar with the term. 

Franco-American” is described as “an American of French or especially French-Canadian descent.” I covered this topic in an older post, but here’s the gist:

If you are an American with any French-Canadian ancestry, you are considered a Franco-American. Some definitions include ancestry from France, but it’s usually a matter of opinion. Of course, it also comes down to referring to yourself as a Franco-American.

Now that we’re clear about who a Franco-American is, let’s cover the main flags of Franco-America, New England, and the Northeast.

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A World of Lavender for Québec

When it comes to lush fields of lavender, we often think of the vast purple pastures of southern France. The region of Provence is specifically where lavender fields call home and where the herb was introduced to France around 600 BC through trading. 

The region provided the perfect climate for the herbal plant to thrive and become a recognizable visual of French culture. 

But Provence isn’t the only region with these eye-catching fields. This herb is also found in Québec, serving as its own French symbol for the province. Although its history of lavender doesn’t stem as far back as its reign in Provence, it’s become a world of its own in Québec. 

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Why Franco-Americans Should Be Embracing Their Culture Through Traditional Dress

Cultures all over the world have a form of traditional dress or folk costume. Some of these cultures have retained this part of themselves, continuing to wear their garb daily. Others save this festive type of dress for special occasions, ceremonies, or cultural festivals. 

Traditional dress and folk costume is pure artistic expression that connects people with the fabrics, patterns, and clothing created by the people of their culture or within their region of the world. 

This clothing is a visual representation of the culture itself, as well as offering functionality depending on the main climate of the area. But the real treat is taking in the amazing colors, patterns, textures, and shapes.

The artistry and creativity of cultural clothing around the world blows me away. You don’t even have to go that far back in time to find these amazing creations because most traditional dress and folk costumes are based on historical dress primarily between the 1800s-1900s.

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Discovering Our Story in the Franco-American Music Scene

As I continue the journey down the Franco-American rabbit hole, something I’ve become more interested in has been the traditional folk music and the modern interpretations of our history, language, and culture. 

Although I can’t pick up on all of the French in the songs yet, the music itself is enjoyable to tap my foot to and let my mind wander into a folksy Franco-American story. I can’t dance to save my life but when the steady rhythm of the podorythmie and smooth melodies intertwine to create an upbeat sound, I can imagine dancing along in a room full of other people dancing to the same songs. 

Yes, I’m a sucker for the Meryton Assembly dance scene in Pride and Prejudice. How would anyone guess? And obviously that other dance scene but that’s another story. 

This traditional folksy-style music creates so much vibrant energy, even if you’re listening to it alone. So when I recently discovered that Franco-American music is an actual genre, I jumped right in and frantically searched for more. 

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How 20-Somethings Can Promote the Franco-American Story to the Mainstream

I have found myself lost with things to say about being Franco-American.

Besides describing myself as a descendant of French-Canadians from Québec, I have found it challenging to find more words to define it.

I’ve seen so many videos while scrolling through social media of other people in my age range sharing aspects of their culture with the world. Either they know the history, they’re learning the language (if they aren’t already fluent), they dance to their culture’s music in their traditional dress, or sing along with their own meaningful songs.

It’s inspiring to see young people embracing their culture, especially online. Every time I see these stories, I badly want to share my own culture in the same way. Although I’ve thought of many ideas to participate in these “culture challenges,” there’s always the imposter syndrome that stops me. 

What is traditional dress for Franco-Americans: do we even have that? Would we adopt the French-Canadian tuque or ceinture fléchée? Or adopt clothing styles that the early settlers of New France wore? And what is our traditional music? Who are we, really? 

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Could a Spark of Romance Prompt Interest in Québec Among Americans?

Hall of Mirrors in Paris, France.

The romanticization of Parisian life can cause culture shock and “Paris syndrome.”

But this chic aesthetic does generate more interest in French culture. So would romanticizing Québec in the same way help or hurt for self-discovery?  

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Can We Make SJB as Mainstream as St. Paddy’s?

A banner reading "Joyeuse Saint Jean-Baptiste Day!" with the Flag of Quebec and the Franco-American Flag.

With Mois de la Francophonie coming to a close, did you happen to see more fleur-de-lis or four-leaf clovers? Probably the latter, with Saint Patrick’s Day being the mainstream event every March. Throughout the month, rivers are dyed green along with the beer at every bar. 

So how does one day take over an entire month? June 24 will be here before we know it. So it’s worth comparing the luck of the Irish to Saint Jean-Baptiste Day. How can it become just as widely known? 

Could you imagine seeing a royal blue Niagara Falls? Served blue beer at the bar? Getting in line for a large Saint Jean-Baptiste parade, waving the Flag of Québec in a sea of blue and white? Or even waving the Franco-American flag

Of course, Saint Jean-Baptiste Day is already a huge celebration in Québec. But how can we bring that pomp and circumstance to New England? Or even to the United States in general? 

It’s all about messaging. 

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Voyage au Québec: An Inspiring Journey of Birthright

Because of the Québec diaspora between 1840 and 1930, around one million French-Canadians left Québec for New England. With industrialization booming in the United States, they set out for opportunities in the mills. 

Despite the discrimination they faced in their new home, their fate in Québec wasn’t promising with the lack of work. Some stayed in New England, and some went back.

But is this diaspora a reason to support a “birthright trip” to Québec for the descendants of these French-Canadian immigrants?

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